May. 25th, 2016

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This week I reveal a possible origin of my music critic so-called career, through the medium of a bus trip to Canada and an earworm of a U2 song.

http://www.sfweekly.com/shookdown/2016/05/24/earworm-weekly-u2s-the-unforgettable-fire

I took a short break from H is for Hawk to read Little Labors by Rivka Galchen. Little Labors is a little book. It is consciously modeled on The Pillow Book by Sei Sh┼Źnagon, and it is about early motherhood, motherhood with a pre-verbal baby. I love everything about it. The discussions of babies in literature and art. The discussions of the absence of women in American literature versus English literature, something I was ranting about just the other day *before* I read that particular passage -- how I cannot remember a single woman author I read in high school American Literature classes, and only a handful from college. Galchen also turns to genre literature -- crime and mysteries -- and specifically mentions contemporary how many contemporary Japanese crime writers are women, both bits of which reminded me of a conversation I had with [identity profile] nihilistic-kid.livejournal.com once. Also a discussion of the trendiness of the color orange, Sei Sh┼Źnagon herself, and loads of other tasty stuff, including pithy one-liners about other people's children, for example. The miscellany form is so ridiculously well-suited to the material of early motherhood that I am mildly appalled that this is more or less the only book I know that uses it, although structure of The Argonauts is similar. Little Labors may be little, but it's making a big argument about motherhood and writing, albeit doing so obliquely, in a very Pillow Book sort of way if you get my drift, a very subtle, clever, pointed but never full-frontal way.

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